Have you ever noticed your dreams? Do they sometimes seem they have absolutely no relation to your personal life. As if someone or something is trying to communicate with you, but you simply don't understand. For the more fortunate, they can recall details of their dreams so well that they can manifest it in their art, in their music, in their literature, or perhaps even, incorporate it into their work. For the less fortunate, we have spurts of images, sounds, sights, and an occasional in-dream text but can't seem to understand how it is all to come together.
Dreaming of riding a white rhinoceros that is not known to exist. Dreaming of holding the classic style set of three skeleton keys that is to open a very sturdy wood door with steel to a rather large stone turret (like a European castle turret - but all alone in an enclosed indoor space which is even higher than the top of the turret). The turret is encircled by a path with four archway entries into the area of the turret. Grey stone is the dominant building material. A female figure riding a white pygmy giraffe that is not known to exist winks at me from the other side through the archway. There is someone who wants the keys I have to enter the turret. They are not permitted. I am to have another set of keys but I can't find them. There is a person, possibly female, shackled near the turret. What does this mean?
Written and directed by Jennifer Kent. Two theories: (1) Wonder Woman Theory: Jennifer Kent has connections with terrestrial military and intelligence persons who use advanced technologies to engage in mind control, up to and including, episodic possessions of adults and children to manipulate world events and, in particular, political and economic outcomes. (2) Dramatic Arts Theory: Jennifer Kent has been exposed to someone with an exoterrestrial experience. And, in fact, there is a higher intelligence out there that is preying on humans in a way more like the movie Avatar presents. The movie very clearly portrays to me experiences similar to those who have been directly and criminally assaulted and battered (including mentally) by an entity of unknown origin - very likely an entity from beyond the planet Earth.
The possibility of a being hacking into the mind of a human person with every intent to control this person. Mind control starts with subliminal messaging, involves a breakdown mental process to "enslave" the mind of the target to the entity. The ultimate possibility, as beautifully depicted in this movie for a few moments, is complete possession of the target person by the possessing entity. The good news presented in the end of this movie, as I believe IS possible in real life, is the fight struggle to regain one's control over their own mind and body after one or more episodes of full mind/body possession.
Stephen King is the content writer of this amazing movie. It is one of the best movie's I have seen from 2019. I absolutely believe that there is something out and about in our world very similar to the creatures featured in this movie - creatures looking perfectly human that "feed" on the life-force energies (which also include psychic energy) of other persons. Sadly, the movie shows with great detail how a person (regardless of age, although tragically young in the movie) can be drained to absolute death of their life-force energy. It is particularly criminal since there IS no life after this event. Otherwise, like the persons in the nursing home, they die naturally and will be able to experience life beyond this life. The abilities of the main characters are extremely rare in manifestation, but I am confident there are persons (both good and evil) that have such capabilities in this world. If exoterrestrial beings are among us, they are very likely the ones to be "feeding" on the life-force energies of humankind, and, also very likely are capable of some manifestation of psychic power.
The future of our planet, Earth, has been incessantly barraged by natural disasters, man-made disasters, famines, and droughts. The movie speculates that there is only one way to ensure mankind's survival: Interstellar travel. A small elite team of government officials sends teams of astronauts through a worm-hole in the universe to explore possible "habitable" worlds to colonize. It is exactly this government that has determined life on Earth is no longer sustainable. And yet, they scrub human history to deliver only the official government version (a mix of fact and fiction) to our children and the consuming citizenry. With such overbearing government, will anyone ever be prepared for the truth? This movie seems to echo the sentiment of two earlier movies, Serenity, where government biochemical emissions lead to a race of hostile human-eating zombie creatures called Reavers, and Event Horizon, a movie summed by the Latin distress signal they ultimately understand: "Liberata te tutemet ex inferis" - Save Yourself from Hell.
I have never experienced a global event such as COVD-19. I feel as if something is not being articulated. Why is China looking for persons with antibodies? Is there still a possibility of further mutation in those who have "recovered"? The movie is about a classic alien invasion by an expansive "bug" like alien creature - here depicted like a Praying Mantis (literally preying on mankind). And they have perfected "jacketing" - taking on the visible and functional form of human beings. Viruses attach to people because we are ultimately their food. Is COVD-19 a method of jacketing by an exo-terrestrial? Do they have a hive? A queen? How many colonies (each with its own queen)? Our natural native honey bee population is in decline around the world. It is strongly suggested signals in our atmosphere disrupt their colonies and render them vulnerable to disease and other blight - not to mention we steal their honey for our consumption at the expense of their protection from elements and incubation of young bees. Sometimes I wake up and look in the mirror and feel I am just somebody else's "piece of meat" (not in a sexual way).
Movie features either current or not too distant future "surveillance" technology. While the movie focuses on an attempt to change the future by altering the past to stop a massive death toll from a terrorist event, it shows the prurient interest of those who are employed to use this technology (at the mild end of the spectrum) and shows the disturbing possibility of corrupting the use of this technology to design a "politically" or even narcissistically biased future. The movie does not fully address the dynamism of possibility in the capabilities of such technology, does not go into "collateral" damage issues (such as earthquakes) that are causally linked to using such technology, does not go into the mental perversions of people in "off-record" personal use of such technology, and fundamentally fails to address "butterfly" effect - altering something somewhere causally results in other alterations (not observed) elsewhere.
Designer "futures" are on the horizon - but be careful what you wish for. Branching time into alternative realities for someone's narcissistic purpose is NOT for the benefit of humanity - it is only for the limited and transient benefit of the directing time bender. There are far more dangers in the operation and use of these technologies than anyone (especially any government) will permit its citizenry to know. Just as nature attempts to return to its true North, so does time. Only with GOD are ALL things truly possible.
Eddie Murphy and Owen Wilson tell it how it is in I-Spy. You have to love movies bragging about developments in technology. Here invisibility is featured. Not yet perfected as in dimensional phase shifting "true" invisibility, but 21st Century engineering know-how - F/X Illusions - Three Dimensional Cameras together with hi-tech LED Hexo-skins to compel the illusion of invisibility, together with some serious sound muffling for an aircraft. And I don't doubt the hover jelly is shortly forthcoming - I can only dream of jelly birding.
Sci-fi technology at its worst in our present world revealed by this recent movie Gemini Man. Dolly, the first sheep cloned, revealed to the world in the 1990s. Of course, this movie shares there must have been some real world developments since then - cloning assassins to change the world in which we live and then bio-enhancing them to be even more lethal killing machines. As horrific as it is to a normal citizen like me and hopefully the reader, this is the kind of doppelgaenger effect nation-states with advanced military and spycraft would spend billions to achieve. And then the next step - Blade Runner like Sims - synthesizing to perfection a non-biological assassin. Nanotechnology and chipping - certainly this is already a part of the world in which we live. Our own medication is large enough to be spiked with tracking receivers to permit someone to discover someone else's whereabouts in the world. And why cloning? It is part of the psychological warfare of our world - putting people off their guard to better claim their lives, or even with more evil twists, to turn brother against brother and sister against sister. The movie does advocate ending such programs - but it is so impossible - even for a single billionaire (and I am not even a millionaire).
How do you feel about recruiting children into the military based on their skills as online gamers? I suppose for game developers and government military operations it is a win win - but what about our families and communities. The more the world focuses on conflict, the more conflict there will truly be in the world. Afterall, the home without a gun will not be the home with a gun death accident.